As their last show of Winter Quarter 2018, the DU Department of Theatre presented Euripides’s “Trojan Women,” directed by Allison Watrous, two weekends in a…
With one of the most exciting lineups of nominated films in years, it’s perhaps slightly disappointing that the 2018 Academy Awards was an extremely predictable…
The Breeders’ newest album “All Nerve” is like Sleater Kinney with its teeth filed down. A little softer, a little colder, the alt-rock trio has…
“Is it cool that I said all that?” coos Taylor Swift in “Delicate,” the fifth track off her latest album “reputation.” It’s ironic she asks…
The podcast is a wonderful thing. While they might seem like a holdover from a bygone time, similar to the radio broadcasts and serials of…
If there is any such thing as plague in the Hollywood filmmaking of the moment, it’s male filmmakers mistaking violence and humiliation as empowerment. As…
An inherent problem with the filmmaking side of the science-fiction genre today is an industry aversion to embracing what should be standard in this genre: the…
For many, the month of March is cold, dreary, filled with exams and a bit depressing. However, progress never slows in the world of entertainment,…
Montreal’s Ought, a post-punk band known for turning the sounds of their predecessors like My Bloody Valentine and Joy Division on their heads, dropped “Room…
On a bitterly cold February evening, a sold-out crowd packed the Gates Concert Hall at the Newman Center for the Performing Arts to enjoy a conversation…