Spanish films require a particular breed of movie-goer, and “Volver” is no exception.

First, there are the English subtitles, which can be especially tricky to read while watching all the action.

Then, there are the references to Spanish traditions that many viewers simply don’t understand.

Plus, many of the latest Spanish films can only be seen at smaller theatres like the Mayan, Landmark or Esuire.

Breaking out of the megaplex mindset can sometimes be uncomfortable, but in the case of “Volver,” entirely worthwhile.

In his latest release, Pedro Almodovar constructs a complex and intriguing plot of love, death and family in the Spanish culture.

The film concentrates on the abilities of Spanish women to deal with the vicissitudes of past and present struggles and secrets.

Known for creating eccentric films like 1999’s Academy Award winning film “Todo Sobre mi Madre” in which Penelope Cruz played a nun impregnated by a transsexual, Almodovar’s signature style echoes through “Volver.”

Only Almodovar could possibly incorporate murder, reincarnation, incest and feminist strength together in a single film.

In “Volver,” Almodovar once again enlists the help of Penelope Cruz as the main character, Raimunda.

Her captivating performance earned her an Oscar nod for Best Leading Actress.

Despite Cruz’s powerful role, the movie’s epicenter proved to be the family matriarch, Irene (Carmen Maura).

Believed to have died in a fire, Irene returns to care for her ailing sister in their small, very superstitious village.

Two unexpected deaths in a short period set Irene on a quest to rectify past wrongs with her daughters Raimunda and Sole (Lola Duenas).

Struggling to raise her daughter Paula (Yohana Cobo) in spite of her deadbeat husband, Raimunda takes over a local restaurant that she is supposed to be helping to sell.

Raimunda and Sole find solace in each other during their difficult time before Irene appears to aid in the coping.

Sole, who runs an illegal hair salon from her home, takes in her mother’s ghost in hopes of helping Raimunda and her mother come to terms.

If the plot sounds complicated, that’s because it is.

Almodovar provides an intricate look at the history of the family while building each character’s own story along the way.

The film contains multiple plot twists and startling revelations. The viewer spends the entire length of the film wondering how all the individual stories and loose ends could possibly connect.

In the last five minutes of the film all the pieces fall into place, and the viewer is left with a satisfying sense of closure. The circular plot wraps all of the movie’s odd aspects into one creative package that masterfully warrants the title “Volver,” or, “to return.”

The film’s incredible ability to enchant audiences makes it a must-see for anyone looking for a different approach to a feel-good film.