Rescue by Justin Bravo // Photo Courtesy of Anna Neumann

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The Vicki Myhren Gallery, located in the Shwayder Art building on the DU campus, is hosting an exhibition titled “F*Bomb” until May 5. Curated by long-time DU professor Sarah Gjertson, the exhibit explores themes of feminism, personal expression and societal expectations.

Gjertson’s provocative works take center stage alongside contributions from mentors, influences and former students. 

Drawing inspiration from feminist movements, Y2K culture, punk culture and DIY aesthetics, Gjertson’s pieces boldly and uniquely critique gender stereotypes while encouraging viewers to use their voices. Her works employ humor, tenderness and provocative disruption to reimagine societal norms.

Among the standout works is “Slip,” an installation of three 5-gallon pails filled with Avon liquid. Equally compelling is a piece called “All Natural,” where pantyhose spells out those very words, inviting contemplation on the constructs of naturalness and authenticity.

“All Natural” by Sarah Gjertson // Courtesy of Anna Neumann

The multimedia exhibit utilizes a wide range of unconventional materials like hair, makeup, nails and silicone tampons. 

In addition to Gjertson’s works, the exhibition features contributions from notable artists including the Guerrilla Girls collective, Karen Finley and pieces by Kristin Fleishmann Brewer and Wangui Maina, explored through innovative methods of creativity. 

“Where Daughters Fear Becoming Their Mothers” by Hollis Sigler features an ominous sculpture housed within a glass box. Utilizing colored lithographs, the piece portrays a living room full of shades of blue and red, mirrors and a vanity, inviting interpretation and reflection on familial legacies. 

“Icon of the West” by Gjertson, presents locks of hair affixed to a metal mining artifact. Perhaps a nod to the archetypal figure of the wicked witch of the west, this artwork is a commentary on the portrayal of women in both cinematic narratives and real-life contexts.

Further engaging with themes of identity and adornment, “Loves me, Loves me Not” by Gjertson features a clear box filled with approximately 9000 hand-painted fake fingernails in shades of pink and orange, offering a whimsical exploration of femininity and beauty standards.

“Loves me, Loves me Not” by Sarah Gjertson // Courtesy of Anna Neumann

Certain pieces invite visitors to touch or play with the art in front of them, which gives the audience a fully immersive experience. 

“F*Bomb” gives voice to work deemed “inappropriate,” providing a platform for the deeply personal narratives inherent to womanhood.

The “F*Bomb” exhibit is open Tuesday through Sunday from 12 p.m. to 5 p.m., until May 5, inviting students and community members to engage with the complexities of contemporary feminist discourse. 

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